Schedule

The story of how the 1942 lynching of Cleo Wright - and the subsequent failure of the first federal attempt to prosecute a lynching - continues to haunt the small city of Sikeston, Missouri. Then, in 2020, the community is faced with the police killing of a young Black father. The film SILENCE IN SIKESTON explores the necessary questions about history, trauma, silence and resilience over 78 years.

Growing up Black in America means cultural bonds, the struggle for visibility, and all too often, unearned judgement. Valerie teaches her students about Africa's greatest explorer; U-Meleni brings her son to a protest of George Floyd’s death; and Harold shows how fear of the police affects his everyday life. Three stories, three interpretations of GROWING UP BLACK PART 2, hosted by Theresa Okokon.

The story of how the 1942 lynching of Cleo Wright - and the subsequent failure of the first federal attempt to prosecute a lynching - continues to haunt the small city of Sikeston, Missouri. Then, in 2020, the community is faced with the police killing of a young Black father. The film SILENCE IN SIKESTON explores the necessary questions about history, trauma, silence and resilience over 78 years.

Growing up Black in America means cultural bonds, the struggle for visibility, and all too often, unearned judgement. Valerie teaches her students about Africa's greatest explorer; U-Meleni brings her son to a protest of George Floyd’s death; and Harold shows how fear of the police affects his everyday life. Three stories, three interpretations of GROWING UP BLACK PART 2, hosted by Theresa Okokon.

The life, works and beliefs of the late writer and civil rights activist are recounted: what it is to be born black, impoverished, gifted, and gay in a world that has yet to understand that “all men are brothers.” James Baldwin tells his own story in this emotional portrait.

The vibrant life of Ernest Withers—civil rights photographer, and FBI informant—was anything but black and white. From his Memphis studio, Withers' nearly 2 million images were a treasured record of Black history but his legacy was complicated by decades of secret FBI service revealed only after his death. Was he a friend of the civil rights community, or enemy—or both?